What happens when anti-racist protesters gather in the streets and are not met with tear gas, rubber bullets, and batons? For one thing, they make art and graffiti. Lots of it, on walls, streets, sidewalks, courthouse doors, the plywood of boarded-up windows, wherever. Public activist art serves not only as a memorial for victims of state oppression, but as a way to imagine what the future needs and visually occupy the space to make it happen. In the intertwining “mutual relations of the political and the aesthetic,” symbols can begin to call real conditions into existence.