Controversial film on Nursi gets İstanbul gala
Today’s Zaman
?Hür Adam? (Free Man), a movie that recounts the life of Said-i Nursi, a Muslim scholar who lived in Turkey from 1876 to 1960, was screened in İstanbul on
The modernist tradition in Turkish Islam and Said Nursi
?Hür Adam: Bediüzzaman Said Nursi?
?Free Man?: facing facts, not revenge
Berlinale | Two Turkish Films in the Co-production Market
Two Turkish Films in the Co-production Market
Watchtower “Gozetleme Kulesi” (dir: Pelin Esmer), Sinefilm, Turkey
What did I see in the Said Nursi film?
!f Istanbul announces nominees for film competition
Av Mevsimi – Saison de chasse à Strasbourg et le phénomène Hayde
Av Mevsimi (Saison de chasse), le dernier film de Yavuz Turul, est actuellement à l?affiche dans les salles de Turquie. En France le cinéma l?Odyssée à Strasbourg l?a programmé à l?occasion de la quinzaine du cinéma turc, en décembre dernier . La ville et son cinéma l?Odyssée sont un peu trop loin de chez moi pour que j?aie pu y assister. Pourtant j?aurais aimé, pour la qualité de sa programmation et aussi pour manifester ma solidarité à Faruk Günaltay, le directeur de ce cinéma, qui a été la cible de cinglés nostalgiques du III Reich au début de l?automne, peu après l?ouverture de la chasse. Son véhicule a été incendié devant sa maison et la porte de sa maison maculée de croix gammées. J?ignore si depuis ces fous furieux ont été retrouvés.
Turkish director Sinan Çetin’s ‘Paper’ doesn’t cut too deep
Movie Review: Valley of the Wolves: Palestine (Kurtlar Vadisi: Filistin)
?What did you think? It looks just like a Hollywood movie, right??
This was the recurring theme whenever I talked to somebody involved in the movie. A lot more money was being plugged into the film; some US$10 million. A small Turkish town in the southeast was turned into the West Bank. Alemdar and crew were taking on an international issue, not their standard enemies that would be recognizable only to a Turkish audience. The producers were taking this one seriously, knowing that it would get international play once it came out to theatres on 28 January.
Radikal Selections…10 Best Turkish Films of 2010
Mavi Boncuk |
Film Critics of Radikal Daily, Istanbul released the 10 best Turkish Films of the year.
Here are the selections in order by Uğur Vardan, Fatih Özgüven, Sevin Okyay, Şenay Aydemir and Erkan Aktuğ:
Radikal Selections…10 Best Turkish Films of 2010 (Part 2)
from Mavi Boncuk by M.A.M
Radikal Selections…10 Best Turkish Films of 2010 (Part 3)
Radikal Selections…10 Best Turkish Films of 2010 (Part 4)
Turkish Film Cliche Dialogues (Humor)
güzel oldugunuz kadar küstahsiniz da.
annecigim, ben bu amcayi cok sevdim. ona baba diyebilir miyim?
bana annemi tekrar anlatir misin babacigim?
senin annen bir melekti yavrum.
neden agliyorsun annecigim?
hayir yavrum aglamiyorum. gözüme toz kaçti.
benim de senin yaslarinda bir oglum vardi evladim.
……………………………….
How Social Media Is Changing the Way Movies are Promoted
Sundance and !f Istanbul team up for international project
Today’s Zaman
Titled ?Film Forward,? the program was initiated under the incentive of US President Barack Obama, and its organizers chose İstanbul as one of its 10
Films preserved for future generations
When Turkish cinema went international in 2010
Best movie posters of 2010
Slacker Twenty Years Later
It?s been two decades since Richard Linklater?s Slacker shook up American independent film and helped define a generation. This week, on the eve of the 2011 Sundance Film Festival, journalist Mark Savlov sat down with Linklater and writer John Pierson (Spike, Mike, Slackers & Dykes) for an in-depth conversation for the Austin Chronicle about the groundbreaking movie and its tough-to-pin-down legacy. The discussion brings into sharp focus the changes that have come about, in both Austin and the indie film world, since 1991: The city then so evocatively dramatized as a regional haven for aimless bohemians with a lot to say is now a national artistic hub, home to the ever expanding South by Southwest Festival. And the effort and money it once took to make a film have been mitigated by the emergence of digital video.
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